Zoic Studios stages an epic battle to save a legendary sword from the grips of an evil warlord in The Weinstein Company/Netflix production of Crouching Tiger, Hidden Dragon: Sword of Destiny, directed by legendary fight choreographer Yuen Wo-Ping and starring Donnie Yen and Michelle Yeoh, reprising her role of Yu Shu Lien. Led by Production VFX Supervisor Mark Stetson, VES, who was on location for the shoot in New Zealand and China, Zoic crafted 150 VFX shots centered on a pivotal action sequence that takes place around an ornate pagoda. Stetson oversaw the VFX for the entire film and worked closely with the filmmakers, the production art department and the Zoic Vancouver CG team to bring the stylized 18th century Chinese aesthetic to life. The film is the first ever to receive a simultaneous release in select IMAX theaters and Netflix, and launched last week on February 26, 2016.

The pagoda as designed was too large to construct as a single set piece, and was planned to be portrayed in its entirety exclusively with visual effects. One interior set, a ten-meter section of the exterior built in front of a bespoke backlot green screen, and a four-meter ground floor built on location were created by the art department for the battle sequence. To complete the full 7-story structure, the Zoic team created a CG pagoda for wider establishing shots, working carefully to maintain consistency on details with the interior and exterior partial sets. The action-packed sequence meant a variety of stunt work, which called for complex rig removals, 2D and 3D head replacements on stunt doubles, and several digital doubles complete with simmed cloth and hair. Additionally, building damage was added to visualize the destruction from the battle’s escalation. Having previously worked on a number of wire-stunt features in the past, including Charlie’s Angels: Full Throttle, Stetson was savvy to this type of VFX challenge and worked closely with the Zoic team to deliver seamless final shots that highlighted the impressive fight choreography.

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In addition to the action-packed fight sequence, Zoic also worked on a number of wide establishing shots of the pagoda environment earlier in the film, amplifying the sweeping landscapes and romantic views to immerse viewers in Yuen Wo-Ping’s vision of this chapter of Wang Dulu’s Crane-Iron series, “Iron Knight, Silver Vase.” Other key sequences that Zoic worked on included the all-digital shots of Silent Wolf and Hades Dai tumbling down the face of the pagoda amongst the debris of the collapsing roofs as well as the VFX involved with the fight between the Blind Enchantress and Yu Shu-Lien.

Additional Images:

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Credits:

Production VFX Supervisor:           Mark Stetson, VES

Production VFX Producer:             Monette Dubin

Zoic Visual Effects Supervisor:     Ralph Maiers

Zoic Executive Producer:                Kristen Leigh Branan

Zoic Head of Production:               Chris Roff

Zoic Visual Effects Producer:        Christopher Elke

Visual Effects Coordinators:         Ryan Kuba

Caitriona Curran

Joseph Payo

CG Supervisor:                                Richard Patterson

Environment Supervisor:               Richard Mahon

Animation Supervisor:                    Chris Derochie

Lead Animator:                                Brian Eyre

Compositing Supervisor:               Kenton Rannie

Lead Compositors:                         John Fukushima

Patrick Kavanaugh

Compositors:                                               Graeme Baitz

Marco Cantaluppi

Christopher Grandel

Brian Hanable

Jared Jones

Megumi Kanazawa

Adam Kelway

Jiwoon Kim

Kristina Kudryk

Gabriel Mandala

Chad Meire

Donal Nolan

Hojin Park

Jeremy Price

Enrique Sandoval

Barry Safley

Bob Wiatr

Animators:                                        Derek Babchishin

Robert Diaz

Neil LimSang

Suresh Padmaraj

Ken Steel

Evelyn Yoa

Animation Coordinators:                Echo Liu

Marc Mason

FX Artists:                                          Steve Au

Mike Rhone

Wayne Hollingsworth

Character TD:                                   Michael Amasio

Riggers:                                            Paxton Gerrish

Kert Saville

Tools TD:                                          Mark Stewart

Lead Lighters:                                  Allan Henderson

Richard Sur

CG Artists:                                         Corey Bastiaans

Jon Catapia

Darren Little

Julien Stuart-Smith

Hoa Tran

James Sathre

Ernesto Marrero

Matte Painters:                                 Ashish Dani

Ivo Horvat

MJ Sarmiento

Rafael Tchetyshov

Lead Tracking & Layout:                David Windhorst

Tracking & Layout:                           Michael Bienz

Alan Christofferson

Robert Cvengros

Frans De Vries

Gerald Feathers

Steve Kazun

Lokesh Reddy Yamathi

Derek Stevenson

Mathew Thomas

Alexander Tirasongkran

Alexandra Vahlbruch

Kyle Yang He

Jeffrey Yang

I/O:                                                      Matthew Drake

David Gattey

Tom Malencia

 

About Zoic Studios

Zoic Studios is a visual effects company based in Culver City, California, Vancouver, B.C., and New York, NY, which creates computer-generated visual effects for film, television, commercials and video games.

“Visual Evolution” is their mission: to evolve the story, art, and technology of the moving image. Zoic’s accomplished artists and producers understand story, process, technique and relationships.  Their team has a proven track record of success in a range of media including episodic, film, commercials and gaming.  Masters in the fields of 3D, Compositing, and Production Management, their elite reputation attracts additional talent and encourages a strong work ethic. Zoic’s relationships with its clients are deep and long lasting. The company is known for results-driven excellence in all endeavors.